Soul Capsule Lady Science (nyc Sunrise Free 320 Kbps Download
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Playing time: 55 minutesPlaylist:1. Intro - J Blackfoot2. Don´t stop - One Way3. Promise your love - Change4. Let me be the one - Angela Bofill5.
Send me your love - Kashif6. Black Cream - The Harlod Wheeler Consort7. Another day - Ray, Goodman & Brown8.
Brothers gonna work it out (intro) - Willie Hutch9. What about you - Carl Hall10.
A star in the ghetto - Average White Band11. Say the word - Brick12. A broken heart can mend - Alexander O´Neal13. Easy - Willie Hutch14.
Intimate connection - Kleeer15. You made a change in my life - The Bar-Kays16. Falling in love - Surface17. Gotta have you (lover turn me on) - Kashif18. Enchantress - Lonnie Liston Smith19. Do you ever think about me - Chuck Mangione20. I can´t stop (turning you on) - Silk21.
One way love affair - Marc Sadane22. Winter sadness - Kool & The Gang.
Playing time: 75 minutesPlaylist:1. And I Love Him - The Friends Of Distinction (Intro)2. That´s Allright With Me - Esther Phillips3.
Hey Love - The Delfonics4. Teddy Pendergrass5. In All My Wildest Dreams - Joe Sample6.
Next Time I See You - The Moments7. I Cry - Millie Jackson8.
We Can Make It Baby - Nancy Wilson9. She´s Lonely - Bill Withers10. Wake Up And Give Yourself A Chance To Live - James Brown11. Hospital Prelude Of Love Theme - Wille Hutch12. Get It Over - One Way13. Wind Parade - Donald Byrd14.
Stop The Rain - Average White Band15. Our Love Has Died - Ohio Players16. Morning In Your Eyes - Nancy Wilson17.
Walk On By - Isaac Hayes18. Mister Mellow - Maynard Ferguson19.
Without You In My Life - Marlena Shaw20. You´re Gonna Need Me - Dionne Warwicke21. Ride Your Pony Girl - The Moments22. You Are My Starship - Norman Conners23. My Little Girl - Bobbi Humphrey24. Am I Loosing You - The Manhattans25.
A Song For You - Freda Payne. Strictly my 90´s hip hop favourites on this one.
Enjoy and spread the word that there is still dope 90´s hiphop to be found that hasn´t been played to boredom yet. As real as me holding it down on the cover.Playing time: 62 minutesBitrate: 320 kbps mp3File size: 143 mbTracklist1. Intro - Above the Law (1992)2. U betta recognize - Sam Sneed (1994)3. Victim of the ghetto - College Boyz (1992)4. U´s a bitch - Comptons Most Wanted (1992)5. Word iz life - Poor Righteous Teachers (1996)6.
Recognize - The LOX (2000)7. Somethin´ to ride to (fonky expedition) - Conscious Daughters (1993)8. Menace 2 society - Pooh Man (1993)9. Listen up - Erule (1994)10. Jus lyke Compton - DJ Quik (1992)11. Whutcha want? - Nine (1994)12.
Jussumen (Pete Rock remix) - Das EFX (1992)13. Bury me a G - Thug Life (1994)14.
Helluva - Brotherhood Creed (1992)15. Soul clap - Showbiz & A.G. It´s so good it´s bad - True Culture (1991)17. Man not a myth - 2 Live Crew (1990)18. Sometimes I rhyme slow - Nice & Smooth (1992)19. Here come the hits - Shyheim (1994)20.
What´s up Doc? (Can we rock) - Fu-Schnickens feat. Shaquille O´Neal) (1993)21. I´m the fuckin´ murderer - Spice 1 (1993)22. Wreckx shop - Wreckx-N-Effect (1992)23. Flavour of the month - Black Sheep (1991)24. Cab fare - Souls Of Mischief (1992?)25.
Suspended in time - Group Home (1996)26. Remember we (Salaam remix) - Da Bush Babees (1994). Genre wise, this mix is a space capsule filled with new and passed years tunes sent straight into the future. Tracks touching everything in, between and beyond instrumental post-hiphop, soulful choruses, blunted baselines, synthesized chords, boogified breaks, housed-out drumprogramming, dubbed steps, latin hooks and dreamy soundscapes. Enjoy!Playing time: 60 minutesBitrate: 320 kbps mp3File size: 137 mbTracklist1. The Corridor – Om Unit3. Hustle (Bullion remix) – Paul White4.
40 Winx – Mike Slott5. Horenjong – The Boogie6.
Cade Voce (Max Cole & Beatnick remix) – Sabrina Malheiros7. Cloudlight – Eskmo8. The Comet – Onra9.
Pocket Calculator (Lynx & Hellrazor remix) – 1000names10. Van Dijck Brown – Killing Skills11. Digidesign (Om Unit Pop Lock remix) – Joker12. Falling Away – Harmonic 313 feat. Steve Spacek13.
Deer Drop Forest – Daisuke Tanabe14. Naughty Us (Nautilus edit) – DJ Digga 15. Linguistic – Swede:art feat. Metamorphosis – Skream17. Circulating Till Infinity – Abby Lee Tee18. Black Sabbath – Venetian Snares19. NY Is Killing Me – Gil Scott-Heron & Jamie XX20.
Recently – DJ Pound21. Horizontal Figuration (Tokimonsta remix) – Take22. Cradle – Om Unit23. Bloodflow – Baths24.
Won´t Do (instrumental) – J Dilla25. Always (instrumental) – 00Genesis26. Eternitiez – Comfort Fit27. Evil D Is On The Mix – Evil D/Black Moon28. What The World Should Be – Eric Lau29. Just For You (Flipped Gaby Vocals) – Teebs30.
Simply Good To You – Shoes Recordings. Here are the instrumentals to my remix album. This should have been done a while ago I know, but anyways here it is - the instrumental beat version.
Hope you´ll enjoy!Producer: DJ DiggaAlbum: The Golden Era Remixes InstrumentalsPlaying time: 27 minutesNumber of tracks: 10Bitrate: 320 kbpsPlaylist:1. The Sun Don´t Chill (Digga remix instrumental) - DJ Digga 2. It Ain´t Hard To Tell ((Digga remix instrumental) - Nas 3. Father Time ((Digga remix instrumental) - Saukrates 4.
Slang Editorial (Digga remix instrumental) - Cappadonna 5. Fat Booty (Digga remix instrumental) - Mos Def 6. The U.N.A.S.S.I.S.T.E.D. (Digga remix instrumental) - Rasco 7. Talkin´ To Me (Digga remix instrumental) - Amerie 8. Real Hip Hop (Digga remix instrumental) - Das Efx 9.
Fakin´ Jax (Digga remix instrumental)) - Pete Rock & INI 10. Rock On (Digga remix instrumental)) - Funkdoobiest. In 2005 I was a proper Myspace-o-holic spending countless of hours connecting with foreign emcees that were looking for beats and producers. Me and this Georgia based emcee called Kas colaborated on a regular basis between 2005 and 2006, and we did like ten tracks together. Around the time when we were about to finish his album named 'The Lever-Balance Theory' and Kas had his album artwork, contracts and all pretty much on lock, he somehow dissappeared (to Alaska I heard.) and the project was put on hold, never to be picked up again.
I produced this track 'Let´s Go Back' for him, which was supposed to be the kick-off single for the album that never came out. On the flip Kas disses the shit out of Kanye West on 'Area Expander'. 'I come with that 93 Chief Rocka type shit.'
Also included a bonus track, our first joint together 'This Ain´t Hip Hop'.Artist: Kas & DJ DiggaTrack: Let´s Go Back b/w Area Expander & This Ain´t Hip HopProducer DJ DiggaBitrate: 256 kbpsA1: Let´s Go Back (Street Version) A2: Let´s Go Back (Instrumental) B1: Area Expander B2: This Ain´t Hip Hop (bonus track). If you are a frequent visitor of this blog you´ve probably already figured out that I am a die hard 90´s boom bap addict.
Out of the countless boom bap partys I´ve spun at, I do not think there are many where I left out Big L´s 'Put It On' or Gang Starr´s 'Full Clip', because of the simple fact that these two tracks always get the club going. But last time I deejayed at a gig like this I got so fed up with myself playing these two tracks again, that I decided to make a mash-up combining these two 90´s hip hop milestones. Club mayhem guarantee!Edit maestro: DJ DiggaTrack: Put It On (DJ Digga Full Clip Mash Up)Artist: Big L vs.
Gang StarrPlaying time: 3 min 34 secBitrate: 256 kbps. The production folder on my computer consists of almost 400 finished and unfinished remixes, edits, beats and various projects that I´ve fiddled with during countless sleepless nights for the past nine years. A while ago I decided it was time to get my shit together and release some of them over the internet. This album is a compilation of unofficial remixes I´ve produced between 2005 and 2008. Please comment if you feel the album!Producer: DJ DiggaAlbum: The Golden Era Remixes EP volume 1 - a new interpretation of 90´s masterpiecesPlaying time: 27 minutesNumber of tracks: 10Featured artists: Nas, Saukrates, Cappadonna, Mos Def, Rasco, Amerie, Das Efx, Pete Rock & INI, FunkdoobiestBitrate: 320 kbpsPlaylist:1. The Sun Don´t Chill (Intro) - DJ Digga 2. It Ain´t Hard To Tell (Digga Remix) - Nas 3.
Father Time (Digga Remix) - Saukrates 4. Slang Editorial (Digga Remix) - Cappadonna 5. Fat Booty (Digga Remix) - Mos Def 6. The U.N.A.S.S.I.S.T.E.D. (Digga Remix) - Rasco 7. Talkin´ To Me (Digga Remix) - Amerie 8. Real Hip Hop (Digga Remix) - Das Efx 9.
Fakin´ Jax (Digga Remix) - Pete Rock & INI 10. Rock On (Digga Remix) - Funkdoobiest Front cover. Click image for bigger picture.
Mixtape released the same year as I opened up. This one, just like volume 18, also worked as a promotional CD that I handed out to customers at my store.
Intro track 'Subway' is from my first self released album Soundstorm Battles (2004) (will upload this when time is right.). Shout outs from Black Moon´s Buckshot from the dope Boot Camp Clik show at S.O.B.´s in New York, the very pretentious Ursula Rucker and DJ Strick of Masta Ace´s super group EMC (who actually tried to get money of me for giving me this shout out. Get over your self man.).(256 kbps, 105 mb, 75 minutes, 33 tracks)Playlist:1. Subway - DJ Digga2. Shout Out - Buckshot from Black Moon (Lyrisist Lounge, S.O.B.´s, New York)3. I Cram To Understand U (Sam) - MC Lyte & DJ K-Rock4. The Jig Is Up - Big Shug5.
Masters - Les Sages Poetes De La Rue6. Shout Out - Ursula Rucker7. Lifestyles Of The Rich And Shameless - Lost Boyz8. I Can´t Wait - Redman9. Steel Finger Break10. The Una.S.S.I.S.T.E.D.11. Get Ready - Roscoe feat.
Powers That Be - Hieroglyphics13. Survival Of The Fittest (acca.)/Juicy Fruit (inst.) - Mobb Deep/Mtume14. Juicy Fruit - Mtume15.
Juicy - Notorious B.I.G16. Hey AZ - AZ feat. Shout Out - DJ Strick of EMC18. Souls Of Mischief19. Intruducing The Raw - Rawcotiks20.
Loud Hangover - Akinyele & Sadat X21. Baknafek - Das EFX22. Total Wreck - Bahamadia23. Whenimondamic - Lootpack24.
Just To Get A Rep (Madlib Remix) - Gang Starr25. Live At The Barbeque - Main Source feat. Zhigge - Toss It Up27. Caught Up - Caveman28.
Time For Us To Defend Ourselves - MC Shan29. I Got Da Feelin - Sweet Tee30. Correct Break31. Made U Look (Apache Remix) - Nas32. Made U Look (acca.)/Any Man (inst.) - Nas/Da Beatminerz33.
Ice Grillz - Blahzay Blahzay. When recording this, I´d just got back from working in NYC for a while, with way more new records than the airline would let me carry. Shout outs from Starang Wondah (O.G.C.), Masta Ace, Cocoa Brovaz, DJ AV and Sage Francis.
This mixtape worked as a freebie when I later on opened up my store. Photo on cover was shot in the Essaouira harbour in Morocco.(256 kbps, 106 mb, 75 minutes, 36 tracks)Playlist:1.
Shout Out - Masta Ace3. Area Expander - DJ Digga4. Tekzilla - Common5. Stick You - Capone-N-Noreaga6. I Got To Have It.
& Da Bulldogs7. Break - Real Roxanne8. Hold Ya Head - Showbiz & A.G.9.
Shout Out - Starang Wondah from Originoo Gunn Clappaz10. The Cash - Cocoa Brovaz11. Shout Out - Cocoa Brovaz12.
Dead President (Soundtrack Version) - JAy-Z13. Ruthless Bastards - Ruthless Bastards14. Last Dayz - Onyx15.
Neva Faded - Lords Of The Underground Up16. Afro Puffs - Lady Of Rage17. Boom - Royce Da 5´918.
Nas Is Like (inst.)/Boom (acca.) - Nas/Royce Da 5´919. Shout Out - DJ AV20. Nas Is Like - Nas21. Let The Bass Go - The D.O.C.22. Knock Knock - GZA23. Popped - DJ Serious feat.
Krystal Karrington - CAmp Lo25. The Wickedest Flow - Rise26. Hip Hop - Dead Prez27. This Is Reggae Music - Zap Pow28. It´s Allright With Me - Esther Phillips29.
Burnt - Del The Phunkee Homosapien feat. The Hieroglyphics30. Wake The Town - Tenor Saw31. Yardcore - Born Jamericans32. In Divine Style - Divine Styler33.
Foolish - Ashanti34. Shout Out - Sage Francis35. Similak Child - Black Sheep36. Cuz It´s Wrong (inst.) - Slick RickFront cover.
Click image for full size to print. This is the first mixtape where I used some of my own productions (the first track), and this is also the first mixtape that has a shout out on it, this one from Philladelphia´s Maylay Sparks. Cover photo was shot in Saigon and Hoi An, Vietnam. Reading the thank you list with all the a.k.a.´s makes me happy that I still see most of these people today.
Recorded in September 2000, and at this time my site 1 D Mixtapes had moved to the hilarious site (meaning 'Your Mama') that was all about that Gothenburg lingo.(256 kbps, 101 mb, 72 minutes, 27 tracks)Playlist:1. Intro - DJ Digga/Maylay Sparks2. Kronkite - The Creators feat. Phil Da Agony3. Nothing´s Changed - Mr.
Complex, Rise & Eddie Brock4. War Zone (acca.)/Supa Star (inst.) - Black Moon/Group Home5.
Supa Star - Group Home6. Shook Ones Pt. 2 - Mobb Deep7. I Gotta Love - Pete Rock & C.L. Ya Don´t See The Signs - Mark B & Blade9. Zombies - Looptroop10. On The Run - Rascalz11.
Sow Now U A MC? Itna na yaad aaya karo mp3 song download. - Masta Ace & Gennessee12. Live It Up Part II - Natural Elements13.
Silly Bitch (acca.)/Unknown Beat - Tim Dog/Unknown Artist14. I Got A Man - Positive K15. Dope - 5 Deez16. Words And Verbs - Maseo feat. Stanley Kubrick - R.A. The Ruggedman18. Guilty - Heather B19.
La Pression (remix) - K. Rhyme Le Roi & Freeman20. Ill Collabo - Cella Dwellas feat. Organized Konfusion21. #1 Soul Brother - Pete Rock22. Medication - Souls Of Mischief23. Skool Dayz - Maylay Sparks25.
First Name Smut - Smut Peddlers26. Doublette - Roey Marquis II & MB 200027. Outro - DJ DiggaFront and back cd cover. Click image for full size to print. My buddy Magnus used to be a hardcore dub and reggae fiend.
Today he hates reggae he tells me. Anyways, I never really collected dub and reggae vinyl, so I borrowed all tunes from Magnus for this mixtape. Thanks Mange! If I should mention one magic 80´s reggae song it just has to be.
Recorded in my Gothenburg crib in Vasastan on the 26th of June 2000.(256 kbps, 8 mb, 60 minutes, 20 tracks)Playlist:1. Dance Of The Vampires - Scientist3. Children Children - Toyan4. Skylarking - Horace Andy5. Blood In South Africa - Yabby You & Michael Prophet6.
One Armed Boxer - Lee Perry and The Upsetters7. Sidewalk Killer - I-Roy8. You´ve Changed - Horace Martin9.
Hungry belly Dub - King Tubby meets Roots Radics10. Your Teeth In My Neck - Scientist11. Bad Man Comes And Goes - Rod Taylor12. Prince Far I Come Again - Prince Far I13. Judgement On The Land - Yabby You14. Judah - Burning Dub15. Youths Of Today - Horace Andy16.
Protection Dub - Yabby You17. Jah Children - African Princess18. Wolf In Sheep´s Clothing - Big Youth19. Dragon Slayer - Lee Perry and The Upsetters20. Rasta Conference - Yabby You & Michael ProphetFront and back cd cover. Click image for full size to print.
By this time me and my man Andreas ran this streetwear brand called EMCEE Clothing. On the cover I am obviously in love with myself, and I am rockin´ our first collection that we had tailor made in a small village in Vietnam called Hoi An. I´m lovin´ that Sadat X & Common track on Hi-Tek´s amazing production that has worked as inspiration so many times when I am producing beats myself.
If you listen carefully to the intro you´ll hear pieces of my very short lived (read SHORT) career as an emcee.(256 kbps, 98 mb, 70 minutes, 21 tracks)Playlist:1. D & D Soundclash - Afu Ra feat. Cocoa Brovaz3. Rush Ya Clique - Outsidaz feat. One-Nine-Nine-Nine - Common feat.
No fear - Originoo Gunn Clappaz6. Shit Happens - Originoo Gunn Clappaz7. Life After This - Group Home8. Punchline - Louis Logic9. Low Class Conspiracy - Quasimodo feat. Black Helicopters - Non Phixion11. Leflaur Leflah Eshkoshka - Heltah Skeltah feat.
Originoo Gunn Clappaz12. Long Arm Of The Law - Looptroop13. Let Me Hear It - Jigmastas15.
Rhytmus Mafiosos - Tefla & Jaleel16. Foreign/Domestic - Mics Of Fury17. Rollin´ - Saukrates feat. Masta ACe & O.C.18. The Rhyme - Keith Murray19. East New York Theory - Group Home feat.
Brainsick Mob20. Soul On Ice (Diamond D remix) - Ras KassFront and back cd cover. Click image for full size to print. In 2000 I kept spittin´ out mixtapes on a daily basis, and this one being released on March 28th 2000, was my third mixtape out of six that same year. Still love that Cinematic Orchestra joint in the intro.(256 kbps, 88 mb, 63 minutes, 22 tracks)1. Channel 1 Suite - The Cinematic Orchestra3.
Rhymes - Von Meista feat. The Conflict - High and Mighty5. Get Down For Mine - Real Live6.
Thick - D.I.T.C.7. Defeat - Afu Ra8. In The House - Pete Rock & C.L. Wontime - Smif-N-Wessun10. II - FX Felix Cruz11. The Chase, Part II - A Tribe Called Quest feat.
The Art Of Storytellin´(part II) - Outkast14. Shook One´s, Part II (acca.)/Poppa Smurf (inst.)- Mobb Deep/Hamsterbreaks15. Sally Got A One Track Mind - Diamond D And The Psychotic Neurotics16. Full Clip - Gang Starr17. Streets Of The Ghetto - Ed O.G. & Da Bulldogs19.
Punks Jump Up To Get Beat Down - Brand Nubian20. The Other Side Of Town - Master Ace21. Say Word - Boogiemonsters feat. The Fabolous Ones - BlackaliciousFront and back cd cover. Click image for full size to print. My first mixtape documented on a CD. Can´t find the volume 1-6 cassettes, but will keep on looking.
Recorded in February 1999 at my sisters crib in Majorna, Gothenburg. Photo on CD cover was shot in when I was trekking the Himalayas.(256 kbps, 82 mb, 61 minutes, 22 tracks)Playlist:1. Killa Intro2. Internationally Known - D.I.T.C.3. Jayou - Jurrasic 54.
Feel It - Diamond D feat. Sadat X and K Terribul5. Crooklyn - The Crooklyn Dodgers6. Hard Times - Royal Flush feat.
Trouble In The Water - DJ Honda feat. Black Ice - Goodie M.O.B. Break Down10.
Gettin´ Closer To God - Krumb Snatcha11. Spit - Show & A.G.12. Express - Group Home13. Flowin´ - Diamond D feat. Dead Bent - MF Doom15. Shut ´Em Down - Onyx feat. Real - Tragedy17.
Testament - Spax18. Temperature´s Rising - Mobb Deep19.
Lots Of Lovin´ - Pete Rock & C.L. It Might Sound Crazy - Daz Dillinger feat. Last Minute Cleanup - Feel X, Channel Live & KRS One22. Rotten Apple - Royal FlushFront and back cd cover.
Click image for full size to print.
Review: Scorchio: Best return in time for the summer with one of the funkiest productions Maurizio 'Sangy' Sangineto has ever conjured. Sleazy electro boogie with just the right balance of Italo and soul in the mix, 'Baby Come On' was a solo expedition by Armed Gang's James Otis White Jr. Who hits the juiced-up bass-led groove in consummate syrup-toned style but gives the groove all the room it needs to let loose. Spacious, sun-kissed and profoundly funky, this couldn't have landed at a better time.
Review: Jamie Paton has been a regular fixture on Emotional Especial since the label first came to light, conjuring up a seductive blend of leftfield dance music with a broad range of influences. This time around he's turning out some of his remixes, leading in with the sweaty, dense throb of Sexy Merlin's 'See You In The Dark'. Guy Schlalom's 'Habibi' by way of contrast becomes a lighter confection peppered with bubbly synth lines and an almost poppy persuasion. Blancmange's 'Feel Me' has a more cosmic lilt in its voluminous tones, and 'Overdrive' by Gatos Negros drifts out on an off-kilter kind of boogie for all manner of deviant dancers to get head-nodding to. Review: The latest release on DJ Bone's Subject Detroit label is a split 12' featuring Esteban Adame and Santiago Salazar.
This is how they do techno, Californian style, and you can tell it from the off. The beats are tough as hell, but there's a sun-kissed vibrancy to the synth work that positively leaps out of the speakers and shakes your cerebellum. Adame leads on the A side with 'Guaguanco', an effervescent stomper that takes a turn for the deep when Frequencia jumps on board for a remix. Salazar is in a housey frame of mind on 'October 17', letting smooth pads lead the way without losing that all-important impact.
The 'Dub mix' of the track actually beefs things up with a grinding lead synth pitched at big room scenarios while maintaining a steady tempo. Review: UK tech house hero Burnski has been serving up some serious heat of late under the Instinct alias, channelling that old school UK vibe of drum & bass, speed garage and 2-step. His exploration into these styles bring about this sixth instalment of his eponymous series with 3 cuts set to cause havoc on dancefloors this year. A side cut 'Overthrow' rides on a slick tech house groove before moving into a swing-fuelled rhythm and razor-sharp sub-bass and it's business as usual.
Soul Capsule Lady Science (nyc Sunrise Free 320 Kbps Download Free
On the flip, shadowy stepper 'Phased' fuses Artful Dodger's classic swagger with the dark sci-fi aesthetic of Ed Rush & Optical. Finally, put your lighters up for the furious junglist roller that is 'Free Life'. Review: The oh-so ironically named Super Tuff are back in business with the first solo artist release on the label, welcoming Local Talk champ and all round wunderkind producer Marcel Lune. The musicality is spilling out of this 12' at every turn, from the Floating Points-esque synth orchestrations of 'Moon Sequence' to the motivational rush of piano playing and cosmic FX sweeping on 'You Can Do It!' 'Unknownz' is a more mystical affair that drafts in seagulls and crashing waves to help spell out another effervescent, bouncy house trip. 'Sun' brings some seriously deft drum / handclap programming to the table, but still those ascendant lead lines are the star of the show.
Review: Hailing from Crimea, Stas Karpenkov's Krym Mryk label is a direct line into the most intriguing techno-oriented diversions transmitting from Russia and Ukraine. In a similar vein to the likes of Udacha and Ghost Zvuk, Krym Mryk is brimming with the kind of originality and expression that makes records such as these essential purchases. 'Entity' presents a calm, icy ambient lead in before the quivering, dubby techno pulse of 'Yevpatoriya Satellite'. 'I've Had Enough To Look Down' is a writhing, biomechanical synth work out of the highest order, and 'Windswept' finishes the EP off in a gentle blizzard of drones. A serious draw for this record as well is the Stanislav Tolkachev remix, which nudges 'Yevpatoriya Satellite' into dynamic broken techno territory with a powerful synth wave channel coursing through it. Review: Berlin-based Miami man David Gtronic has been busy these past few years, working closely with Randall M, Chad Andrew, Dudley Strangeways and many more besides. He's going it alone with this inaugural release for Black Wood, relishing the opportunity to explore his craft across three original productions.
'Ardl Dub' is a dense, shuffling minimal house production primed for working into a long and flowing set, while 'Lexiwedin' showcases a more reflective side to the producer with sweeping synth tones and a whisper of electro worked into the rhythms. 'Sequence' takes the minimal vibe to the next level, folding dubby subtleties into the mix to great effect. Dan Farserelli then steps up with a remix that injects a little boompty bass into the track for a wholly different, dancefloor friendly kind of jam. Review: A pioneer for the hip house scene in Chicago back in the 80s, Tyree is still at it thirty years later and sounding as vital as ever. This collaboration with Pure God is a thoroughly different concern to the jacking acid of the early days, bringing a live drum sound, funk bass and even a stirring string lilt into the mix on 'Back Home'. Whether you plump for the full vocal mix or the stripped back instrumental, it's an anthemic party starting beast of a jam for peak time maneuvers. The 'Alternative Mix' of 'Back Home' on the B-side is a more classic, throbbing slice of mechanical minimalism for the traditional Chicago jackers out there, and there's some 'Bonus Beats' thrown in for good measure too!
Review: Some five years after re-launching his Crayon label via a fine EP of vintage 'Tracks From The Vault', original 1990s tech-house producer Mark Ambrose serves up more gems from his bulging archives. The quality threshold remains dizzyingly high throughout. Check first the moody, back room dub of 'Nightshift (Deeper Mix)', where gentle, alien synth lines and deep space chords tumble down over a heavy analogue bassline and locked-in beats, before turning your attention to 'Space Animals', a deliciously dubbed-out affair rich in sub bass and drifting, deep space chords. If that's not enough, flip over and trance out to B side 'Seduction' and finally, the slamming techno beats, looped electronics and mind-mangling TB-303 motifs of closer 'Dusty Acid'. Review: Neil 'Nail' Tolliday's 89:Ghost label continues to deliver the goods, this time reaching out to Scandinavia and the considerable talents of Vesa-Matti Kivioja. The Finnish producer has been producing high-end electronic music for many years, not least in the ambient field, but here he's mining a particularly inventive style of dub techno that draws parallels with the mighty Porter Ricks in terms of sound design.
Across all four tracks the drums act as a subtle counterpoint to dense thickets of texture and tone writhing with organic intent around the groove. As dancefloor friendly as it is brain-teasing, this is a seriously classy slice of dub techno immersion. Review: Ste Roberts steps up with the second instalment on his self-titled label, once again burrowing into the more mysterious corners of the house and techno spectrum to deliver distinctive dancefloor gold for those who like their beats a little different.
'The Circle' is a nocturnal affair that matches dark techno atmospherics with a rigorous housey bump, and the results are stellar. 'AC' is equally tough, although in this instance the main ingredient is a rattling conga sample that has a raw, live and in the room quality that contrasts the unrelenting kick drum perfectly. Review: The low-key but long-serving D2B steps up on a self-manned label to deliver two surefire club smashers for those who appreciate the grit and soul of proper Detroit techno. 'My Love' on the A side is the friendlier cut, its taut machine rhythms embellished with dextrous synth work from pulsing chords to simmering strings, all shot through with a smoky after hours haze. On the flip side, D2B gets a little rawer with the component parts of the track, jacking up the drums and spacing out the arrangement for a more intense workout that should satisfy anyone who wants techno with personality that still smacks hard. Review: It's been a little while since we last heard from Donnell Knox, but he's back in action finally on his regular haunt Sonic Mind with some of that evergreen US techno tackle that he's forged a long and winding career out of.
'No Time' is steeped in the smoky pads of the Motor City, with a rugged rhythm section and errant bleeps thrown in to seal the deal. 'Rat Race' takes things in a more housey direction, but there's still a certain mysticism that reaches beyond the average club banger. 'Sick Mind' continues the theme, but ties more knots in the programming to make for another essential slice of techno, and then 'Repetition' finishes the job with a razor sharp slice of sky-scraping hardware science. Review: Given his credentials and track record, it's unsurprising that original disco and boogie artists are willing to let Joey Negro play around with their biggest hits. His first stab at this kind of multi-track remix, 2014's Remixed With Love, was such a success that he's decided to unleash another swathe of revisions over two vinyl double-packs. This 'Part B' edition features some killer reworks, including a sublime, on-point rearrangement of Gwen McRae's 'Keep The Fire Burning' and a rolling, dubbed-out version of Grace Jones' 'Pull Up To The Bumper' that rivals Larry Levan's classic remix. The veteran producer also successfully turns Pockets' 'Come Go With Me' into a classic soulful house rub, and pushes Thelma Houston's 'I'm Here Again' further towards disco anthem territory.
Review: Kaspar has been busy slinging out high grade house jams with a hefty side serving of funk for many years now, landing in all the right places like 4 Lux, Clone, Housewax and Midnight Shift. Further cementing the Portugese producer's credentials, this release on Finale Sessions brings a spread of styles to the table, showing off his diversity in the studio.
'Everybody Jump' is impossible to ignore with its heavy bass lick and fresh take on tough, looped up disco house, while 'Coastal Soaring' takes a more ethereal approach seasoned with clattering percussion, jazz funk bass and wistful pads. 'Higher Fire' strikes an uplifting peak time house tip, and 'Cid's Thump' gets slow and nasty with some particularly psyched-out FX swells.
Review: After popping up on a various artists release last year, Ugly Frankie makes good on his connection to the Vinyl Only label with a full fat EP of chunked up, funked out house business for sunny climes. There's a dusty, rolling tone to the tracks on offer here - the crafty edits, nimble sample treatment and inventive layering creates a vibe you can lose yourself in all day.
These aren't just straight up dancefloor rollers either - 'Cow Boogie' bumps and slides with a low slung swagger that will have you popping at a slower tempo - but they're all prime for the get down. For some dusty, soul-laced cuts produced with flair, look no further. Review: Minuendo calls upon Vincent Inc and Danijel Kevic to kick off their latest single, and they do so in fine style with the luxurious sweeping chords of 'Space'.
Twinkling pianos, speech samples and a carefully measured set of deep house drums make this the consummate slice of pool-side dance music for those who can still find some sun at this time of year. Lola Allen steps up to the B side with something a little more sassy in the shape of 'Afrofusion Jazz'. As the title might suggest, there's a mixture of influences tumbling into this track, most notably with some wildly filtered jazz organ and funk licks stewing in the pot, and just when you think it's going to break it swerves off into submerged Moodymann territory. This is unpredictable house music at its finest. Review: Mushi 45 is keeping tight lipped about the story behind their latest release - so much so, in fact, that we can't ascertain whether it's a reissue or a new production. Given the label's history, we're thinking the former, though it's hard to find any reference to the record, the artist or the producer.
Either way, the release is fire - a killer chunk of Afro-funk blessed with heavyweight drum breaks, punchy sax solos, celebratory African vocals and super-funky bass. In classic funk style 'Ashadwa' is split into two parts; the first boasts chant-along vocals, extended drum breaks and a genuine 'party in the studio' vibe, while the second is more instrumental and stripped back with greater use of snaking saxophone solos.
In a word: essential. Review: From World Unknown, Magic Feet and Tusk Wax and now on to Kinfolk, Tim Rivers is marking out a place in that world of mystical grooves where acid, kosmische, new age, Balearic and wyrd pagan dance can all jam to the same beat. The title track on The Mirage is a gorgeous slice of motorik smoothness, letting sustained guitar nights ring out over a tender throb of bass. 'Suni Aki' is a more dramatic piece with a healthy dose of 80s bombast poured over its loins, and then Soft Rocks grapples the B side for a remix of 'The Mirage' that cuts the tow line and drifts off in the direction of the sunset. Review: Faze Action last teamed up with Zeke Manyika, formerly of 80s funksters Orange Juice, for the effervescent 'Mangwana' back in 2016. Now they're back in collaboration for more classically rooted house music with a deeply infectious African twist.
'Kubatana' is punchy where it counts, but it's a light and springy proto house burner first and foremost, with Manyika's vocal sounding as smooth as silk in the middle of the mix. 'Hapana' is equally rich in musicality and personality, albeit on a more simmering, meditative tip. On the B side, 'Kubatana' gets reworked by Rudy Midnight Machine and Paradise, who turn in distinct versions without losing the overall 80s aesthetic that powers the release. Review: Fragrant Harbour once again dig out a cult gem from the seemingly endless vaults of 90s dance music, picking up on a rare and precious gem from a seminal Laurent Garnier mix and giving it the remaster and reissue it deserves.
The artists responsible, Broccoli Brothers vs Righteous Men, hailed from Germany and were trying to emulate Mike Dunn. 'Catch It (Calm Manoeuvre)' is a spaced out deep house track with all the gritty impact of a classic jam, while 'Catch It (Jam)' gets decidedly rowdy with its hefty kick, jacked up swing and wonky bassline. On the B side 'Ruhrschnellweg (Last Exit Stahlhausen Mix)' brings a little Detroit flavour into the mix with spectacular, uplifting results. Review: Since 2012, Munich duo COEO has served up a swathe of sample heavy, disco influenced house EPs for such labels as Let's Play House, Toy Tonics, Lagaffe Tales and Razor-N-Tape Reserve. Here they pop up on Razor-N-Tape's main edit label with something different: a quartet of traditional scalpel works from their personal stash. First up is the elastic, horn heavy disco-funk of 'Express Lane', which is quickly followed by the skewed Arabic boogie-funk brilliance of 'Libyan Sun'. Over on side B, 'Don't Oho' is a breezy revision of a sun-kissed Afro-disco workout that sounds like it would be capable of causing a commotion in the club, while 'Move Your Body' makes merry with a warm, rich and intoxicating early '80s boogie-soul jam of unknown origin.
Review: The sixth volume in Toy Tonics occasional 'Tonic Edits' series comes courtesy of label regulars COEO, a Munich-based duo who previously proved their edit credentials via a tasty 12' on Razor-N-Tape. This collection is arguably even better than its predecessor and sees them take their rusty scalpels to a quartet of Japanese disco-pop tracks from the 1980s. There's much to admire, from the sleazy electrofunk grooves, bold pianos and sparkling pianos of 'Matchbox' (A2) and the slap-bass propelled boogie goodness of the Teena Marie-esque 'Uber Man' (B1), to the freestyle influenced synth-pop bounce of cheery closing cut 'Tibetan Dance'. Arguably best of all, though, is lead cut 'Japanese Woman', a bi-lingual disco song rich in rubbery bass, Chic style guitars and sparkling synthesizer flourishes. Review: It's been a hot minute since Al Kent dropped some of his sweet and soulful dancefloor instinct on us, but he's back in style on his reanimated Million Dollar Disco label. 'Pick Me Up (Say Goodbye)' takes Gladys Knight & The Pips' tender 'Neither One Of Us (Wants To Say Goodbye)' and gives it a supremely pitched dancefloor injection. Upping the tempo and rolling out an organic disco beat, Knight's vocal gets a whole new backdrop without losing the emotional heft of the track.
A truly heart-melting cut for that sentimental, cut loose, late end of the party. Review: Pepe Bradock's recent album 'What A Mess!' Might have been a cut-and-paste collage of weirdo track fragments, occasional rhythms and spaced-out ambient aesthetics, but the veteran Parisian producer is still capable of crafting killer dancefloor cuts when he feels like it. This weirdo deep house two-tracker proves as much, with A-side 'Peeped Booths' offering a near perfect fusion of hypnotic bass, locked-in grooves, ultra-deep riffs, angular electronic noises and strange vocal samples that have been manipulated within an inch of their lives. It's more than a bit good. 'Klezmorim Telepathique' sees Bradock raise the tempo and intensity via a bumpin' fusion of panicked electronic motifs, paranoid bass and fizzing synthesizer flashes. Review: Russian producer Kirill Sergeev has been setting light to the likes of Hell Yeah, Bordello A Parigi and Bahnsteig 23 in the past under his Kito Jempere alias, and now it's the turn of Pleasure Unit to get his unique treatment.
'House Track' may seem like an innocuous title but don't be fooled, it's far from a conventional house jam. Loose, 80s tinted production vibes abound across the record, not least with the party heaters on the A side. 'Never Been To Ibiza Beaches 1997' is a more laid back jam, but still sizzling with inventive energy, and 'Jungle Mantra' explores tribal percussion with a fresh slant that will call out to the tropical spinners.
Review: Thus far all we know about Wilson Phoenix is pressed into the previous two records the anonymous operator has released so far in 2018. That should be enough for techno heads with their ears to the ground - this is rough and ready hardware business for those who like it nasty. While not perhaps as willfully unhinged as Neil Landstrumm, it's very much in that sonic ballpark, not least on relentless acidic opener 'Between Mars.' Things get a little freakier with the pinging electro delights of 'Moon Machine' before the rowdy rave beast 'Exo Planet' levels the landscape with some brutal synth stabs that would sound at home on an early The Prodigy record. Review: Orson Bramley has a long-standing legacy in UK electro history as part of the Transparent Sound production crew, and he's been recently aligned with Robin Ball's Memory Box parties in London where he's been able to display his years of experience whipping machines into funky configurations in a live environment. This release speaks to that experience, with the various versions of 'Then Again' punching out an irresistible sermon of crafty synth lines, swooping strings and crisp beats.
Ball steps up for two remixes on the flip that equally reside in the electro realm, but come at the component parts from a different rhythmic angle. One refined idea done five ways - what more do you need to know? Review: Jazzman's dusty-fingered diggers recently did a deal to reissue some of the 'holy grail' albums released by Austin-based Fable Records in small numbers back in the early 1970s. Forty Seven Times Its Own Weight's 'Cumulo Nimbus' is the first of these. It's a pleasingly warm and evocative set of tracks from the one-album combo that offers an enjoyable and cutting edge fusion of hard-wired jazz-funk, post-modal fusion, horizontal slow jams and low-slung goodness that pairs free-jazz style solos and spiritual grooves with just the right amount of funk-fuelled instrumentation (see 'Jig'). The set includes both dancefloor-friendly and laid-back fare, with the jaunty title somehow managing to tick both boxes at once.
Review: After first teaming up with Uzuri back in 2016, Italian producer Giorgio Luceri finally makes a return with a second part of his Space Fire Truth series. There seems to be a concept lingering in the presentation of the music, but let's focus on the sounds themselves. 'Collinder 69 Funk' is an effervescent burst of uplifting energy with a groove that feels housey underneath plush Detroit techno synths. 'The Early Morning Ouroboros' switches things up with a pacey, chopped up broken beat trip peppered with soulful vocals and instrumentation. 'Kepler 16b' is a moodier affair that lets the techno side of Luceri's sound bleed through, and then 'Tu Sei Il Maestro Dell'Eterno Ritorno' finishes the record off on a stirring, romantic tip with swooning strings aplenty.
Review: Cong Burn made a mighty splash with its first release, clearly flaunting the kind of wares you'd expect to hear from Livity Sound alumni or other such esteemed techno renegades. The second installment is no slouch either, featuring a new cast of crooked creators offering up their wares for the modern mutant dancefloor. BFTT has a weighty low end thrum powering 'Public/Private', while Lack takes things in a scuffed and nimble direction. Chekov pushes out into more experimental pastures with the broken beats and displaced sound design of 'Celeste' and Howes creates a wonderful strain of mystical deep house for darkened souls.
Each one of these tracks is loaded with flair and personality, yards ahead of your average generic knock offs and presenting something with real merit to the convoluted world of dance music. Review: The Finale Sessions Select series finds Michael Zucker steering his label into new, techy pastures with a host of esteemed guests on board. For this fourth round, he's called upon Kai Alce and Reggie Dokes to stand alongside him in demonstrating exactly what's great about contemporary house and techno. Alce is up first with 'Scene 2', bringing a bubbly, sleek confection of machine soul to the table. Zucker gets things rolling along steady with the heady trip of 'Summer Time', and then Reggie Dokes sends the record drifting off on a wonderfully crooked tip with 'Running'.
Review: Having recently rounded off his Prolific Trilogy 009 series with a third and final collection of deep and groovy club cuts, Samuel Andre Madsen returns to action via a tightly wound two-tracker full of funk-fuelled grooves and rush-inducing moments. There's something wonderfully loose-limbed about flipside 'Alright', a post two-step club cut rich in foreboding acid bass, looped spoken word samples, acid flashes and twisted tech-house electronics. It's good but nowhere near as life affirming as lead cut 'Fury's Laughter', an acid bass-propelled peak-time stomper blessed with the most wide-eyed and spine-tingling breakdown we've heard this month. The clips alone are giving us chills, which is always a good sign. Review: 'I Want Magic' is a welcome return to action from Jalapeno's premier soul sister, Izo FitzRoy, an artist whose 2017 debut album 'Skyline' brilliantly joined the dots between classic soul, rhythm and blues and gospel. This time round she has her eyes firmly focused on the dancefloor, as producer Dimitri From Paris and backing band Cotonete (whose recent LP 'Super-vilains' is well worth a listen) join forces to cast a serious disco spell. 'I Want Magic' is a revivalist disco jam per excellence; a tweak on the classic Chic sound with Cotonete adding a few sneaky solos and quality jazz-funk touches here and there.
Of the two versions, it's the vocal mix (side A) that hits home hardest, thanks in no small part to a stunning lead vocal from FitzRoy that celebrates the giddy goodness of dancing like you're ten years old. Expect to hear it a lot at festivals throughout the summer. Review: More sneaky 45 action from the Breaks & Beats crew, a shadowy organization whose tried-and-tested re-edits offer DJ-friendly extensions of popular break-digging favourites (many of which were sampled on classic hip-hop cuts). Their latest seven-inch excursion begins with a tidy revision of Lafayette Afro-Rock Band's brilliant 'Hihache', a low-slung favourite rich in lolloping, head nodding drum breaks, jazzy bass, flanged funk guitars and fuzzy horn motifs. The new version is deferential towards its source material, extending breaks here and there whilst leaving much of the tune in tact. One of the most doubled-up drum breaks in hip-hop history takes pride of place on side B, where Gaz's Salsoul released wiggler 'Sing Sing' gets the re-edit treatment. Review: New York-based Evan Michael has been spotted on some respectable labels in the past, from Drumpoet Community to AirDrop, most recently appearing alongside Marco Passarani on a split 12' for Cin Cin.
He makes his first appearance on the ever-prolific Hudd Trax with this diverse grip of deep house jams, leading in with the emotive tones of 'Duende'. 'PCH Passing' is a fluttering affair laden with sweet natured synths, but it also knows when to rain the cascading melodies in to let the groove take the lead. 'Machine Pepper' builds up around an on-point bassline and powerful brass stabs, and then 'Rainmaker' finishes the EP off with some tricksy delay use and a crooked beat. Review: That Hudd Traxx powerhouse keeps on pumping out the jams, with regular Hudd hood Goshawk back in the saddle with some of his most assured beats to date. 'Get Up To Get Down' channels a limber, Prince indebted funk, straps it to a simmering house beat and then drafts Erik Rico in for a killer vocal that takes you right back to the best of '90s vocal house. Then Art Of Tones jumps on for a remix that beefs the original up with some more big room elements, as one might well expect from the French titan.
'The Love Is Gone' gets into a spaced out disco house frame of mind, which 'The Dub Is Gone' then shuffles up into a slinky little groover. Review: After equally wonderful turns from Junto Club, Deeds and Curses!, emergent deviant disco denizens Snap Crackle & Pop invite a band called Uncanny Valley to offer up their unique brand of deathly wave music shot through with on-point beyond the grave vocals.
'Chain Store' is a nightmarish march through wobbly synths while 'Nowhere To Nowhere' plots a strident course with its bouncing beat and fulsome, undulating bass. 'Popcorn' flips the script with its uptempo thrust, but the vintage synth-pop threads are still the dominant force in the music.
Manfredas drops a remix of 'Chain Store' that maintains the freakiness with a slow but heavy house lurch, and then Mondowski strips the meat from 'Nowhere To Nowhere' and leaves a potent, skeletal club treatment behind. Review: Alexander Kowalski has been immersed in techno for a long time, and his sound is massively representative of the reduced, late night Berlin sound.
He's contributed many times to Marcel Heese's Finitude label, and now he's back to pay tribute to UK free party techno legends Spiral Tribe. Kowalski's own interpretation may be more minimal and hypnotic than the wild, raucous energy Spiral Tribe was best known for, but his trancey approach comes on like a nostalgic vision into the early 90s, while also aligning with the modern masters such as Donato Dozzy and Peter Van Hoesen. Review: Having built up a rock solid reputation via a handful of fine rework EPs on his own Orange Tree Edits imprint, Jimmy Rouge has been snapped up by Aaron Dae and JKriv's Razor-N-Tape imprint. He's in fine form on this label debut: A-side 'So Long' is a quirky but undeniably peak-time-ready affair, with hazy, dewy-eyed vocal snippets and bold, Moog style synthesizer motifs rising above dusty, full-throttle drums and a warm, metronomic bassline. He moves further towards shirts-off disco territory on flipside 'Movin', a thickset and energy-packed affair whose mind-altering, delay-laden vocal snippets will appeal to all those who enjoy the output of the Idjut Boys and DJ Harvey. Review: Camarao Orkestra may be based in Paris, but their hearts are always in Sao Paolo and Rio de Janeiro.
The incendiary live band has a new album on the way (their last dropped three years ago) so to get us in the mood Favorite Recordings has served up this suitably steamy workout. In its' A-side original mix form, 'Nacao Africa' is a mid-tempo chunk of low-slung Latin boogie rich in drunken trumpet lines, sweet female vocals, Marcos Valle guitar riffs and weighty dub disco bass. Patchworks man Bruno Hovart handles remix duties, first offering up a sweet two-step soul/laidback boogie revision before slamming down a hypnotic, stripped-back and delay-laden 'Late Night Dub'.
Review: The fifth instalment of the Hoxton Records story turns to Alan Castro, who has already had a busy year appearing on the likes of For Club, STAMP and Soundterasse. The vibe is stripped down and unhinged on this record, with lead track 'El Avion De La Mentira' unfurling in a strange tapestry of samples, found sounds and off kilter synth rubs strapped to a crafty set of drums. Modebaku delivers a more streamlined version of the track that keeps things freaky, but much more linear than the wayward original.
'Sequela' on the flip is no slouch in the adventurous department either, with swathes of modulating tones and wild sonic matter flinging around a funky shuffle, which Ted Amber then dutifully bolsters with a rubbery b-line on his more functional but still daring version. Review: With their 'Foundations' series, DJ Spinna and Kai Alce continue to explore the formative years of house music culture, offering up seven-inch singles showcasing classic and overlooked gems. This fourth volume in the series contains two more must-have tracks subtly re-edited to fit the format by the effervescent Alce. First up on side A is Dreamer G's vocal anthem 'I Got The Feeling', a 1992 NYC house classic - and Timmy Regisford favourite - produced by none other than Kerri Chandler. On the flip Spinna and Alce take us back to 1988, offering up an early New Jersey house production from the 'Backroom Boys' team of Cassio Ware, Derek A. Jenkins and Dwayne Richardson, who would later find fame as DJ Spen.
A superb song that's as soulful as you'd expect, it's largely been overlooked for over three decades. Review: By now we should know what to expect from Tropical Records, namely beefed-up, house style re-edits of disco and boogie tracks that tend towards the hot, sticky and humid. Sartorial kicks things off this time round via the swirling, Latin style disco-bounce of 'Warping' - all low-slung bass, new house beats, big orchestration and snaking sax solos - before Moodena straightens out and tools up a hybrid jazz-funk/disco jam that boasts some seriously exotic guitar solos and jammed-out electric piano parts. Simon Kennedy's contribution, 'Back To Soul', is a bumpy and bouncy take on a fine disco soul classic, while Hotmood's 'Everybody' is a sweaty, house style revision of a P-funk flavoured boogie number. Review: Since he's such a prolific collaborator and creator of bands, it's easy to overlook the fact that Will Holland hasn't released a solo album as Quantic for almost five years. 'Atlantic Oscillations', then, is a welcome return - particularly since Tru Thoughts boss Robert Luis thinks it's Holland's 'most cohesive and intricate album to date'. It's certainly a strong collection, with Holland wrangling multiple styles, tempos and musical influences to create cuts that defy easy categorization.
While there are downtempo moments, 'Atlantic Oscillations' includes more bona-fide club cuts then he's delivered in recent years, with sun-kissed disco cut 'September Blues', Cuban disco-funk workout 'Atlantic Oscillations' and Afro-Latin house bumper 'Motivic Retrograde' standing out. Review: While their obscure disco and Balearic re-edits tend towards the warm and groovy, Psychemagik's original productions have been getting increasingly tough and druggy in tone. 'Rattlesnake', a hypnotic chunk of club-ready psychedelic disco rich in wonky electronics, trippy riffs, mind-altering bass and locked-in drums, may well be their most intoxicating and hallucinatory track to date. The duo's out-there original mix is made even weirder - and arguably more alluring - by Magda on her 'Blotter Traxion Remix', which sounds like a tripping hippie trying to simultaneously mix electro, tech-house and techno. Vyvyan provides the other rework, wrapping doom-laden electronics and fizzing acid lines around crispy disco drums.